{"id":9920,"date":"2024-03-05T18:40:21","date_gmt":"2024-03-05T17:40:21","guid":{"rendered":"https:\/\/www.die-neue-sammlung.de\/ausstellung\/ingo-maurer-intim-design-or-what\/"},"modified":"2024-06-28T15:55:36","modified_gmt":"2024-06-28T13:55:36","slug":"ingo-maurer-intim-design-or-what","status":"publish","type":"exhibition","link":"https:\/\/staging.die-neue-sammlung.de\/en\/ausstellung\/ingo-maurer-intim-design-or-what\/","title":{"rendered":"Ingo Maurer Intim. Design or What?"},"content":{"rendered":"
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\t\n\t\tEvent period : <\/span>15.11.2019 – 18.10.2020<\/span>\n\t<\/span>\n<\/div>\n<\/div>\n\n\n\n\n
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Ingo Maurer Intim. Design or What?<\/h1>\n<\/div>\n\n\n\n\n
A comprehensive show in close collaboration with Ingo Maurer and his team that includes everything from his early designs right up to his latest luminaires, with more than 80 objects plus models and photographs<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n\n
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Exhibition, Ingo Maurer Intim. Design or What?, 2019.<\/div>\n\t\t\t\t\t\t\t\t\t\t
Photo: Anna Seibel <\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n<\/section>\n\n
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About the Exhibition<\/h2>\n<\/div>\n<\/div>\n\n\n\n\n
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With the exhibition \u201cIngo Maurer intim. Design or What?\u201d (Ingo Maurer intimately. Design or What?) Die Neue Sammlung \u2013 The Design Museum is presenting the work of internationally renowned lighting designer Ingo Maurer and introduces the viewer to Maurer\u2019s fascinating world of light and shade.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n

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In close collaboration with Ingo Maurer and his team, Die Neue Sammlung \u2013 The Design Museum developed a comprehensive show that includes everything from his early designs right up to his latest luminaires, with more than 80 objects plus models and photographs. It is with great sadness that we learned of Ingo Maurer\u2019s death so shortly before the exhibition opening.

Ingo Maurer (1932 Island of Reichenau, Lake Constance \u2013 2019 Munich) devoted himself almost exclusively to light since 1966, and with his \u201cBulb\u201d luminaire produced his first, famous statement in the form of an iconic light bulb. Since that time, he and his team in his Munich workshop have been developing complex, ingenious, and elaborate light objects and lighting concepts for both private and public spaces as well as spectacular one-offs.

Maurer\u2019s international breakthrough came 1984 with his novel lighting system \u201cYaYaHo\u201d, one of the first low-voltage wire systems for halogen reflector lamps. To this day, many of his luminaires are well-known the world over, among them \u201cZettel\u2019z\u201d (1997), which users can partly design themselves. His \u201cEL.E.DEE\u201d (2001) is considered the very first LED table lamp \u2013 and in 2008 together with the Osram company he devised \u201cEarly Future\u201d, the world\u2019s first mass-produced OLED luminaire.

\u201cIngo Maurer intim\u201d alludes to how Ingo Maurer saw his work. In close and trusting collaboration with his team, Maurer developed each step from the initial sketch to the final product to the sales process. \u201cDesign or What?\u201d alludes to the exciting interaction of design, art, and architecture. Because with Maurer\u2019s objects the question often arises of how, if at all, they can be pigeonholed in terms of style. This gave Maurer a great deal of freedom as no one discipline had clear expectations of what he would create.

This scope can be seen from his versatility and open mind, his special application of porcelain, plastic, paper or gold \u2013 and his use of technological novelties of the day, such as halogen lamps or OLED. Alongside the materials and technology, quite unspectacular moments in everyday life serve as his inspiration when conjuring up new lighting situations.
A joy in experimentation and playfulness are to be sensed in his works, which span the entire spectrum of elegance, simplicity, mannerism, construction, and humor. The latter is reflected in his preferred use of witty and onomatopoetic product names that draw on different languages.

In the final instance, it is not form that takes the foreground in his pieces, but the quality of light and its impact on people and the particular space involved. Maurer creates emotion and mood and seeks a symbiosis of technology and poetry.
In the person of Ingo Maurer and his team \u2013 following on from Konstantin Grcic, Werner Aisslinger, Hella Jongerius & Louise Schouwenberg and Friedrich von Borries \u2013 we are continuing our series on contemporary positions in design in the Paternoster Hall; ever since 2015, each year Die Neue Sammlung \u2013 The Design Museum has been inviting international protagonists of design to present their ideas here.
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