{"id":25026,"date":"2024-10-29T10:06:58","date_gmt":"2024-10-29T09:06:58","guid":{"rendered":"https:\/\/www.die-neue-sammlung.de\/?post_type=event&p=25026"},"modified":"2025-01-29T17:21:41","modified_gmt":"2025-01-29T16:21:41","slug":"engelhorn-schmuck-lecturecaroline-broadhead","status":"publish","type":"event","link":"https:\/\/staging.die-neue-sammlung.de\/en\/termin\/engelhorn-schmuck-lecturecaroline-broadhead\/","title":{"rendered":"Sunday, March 16th, 2025, 11:00\nEngelhorn Schmuck Lecture\nCaroline Broadhead"},"content":{"rendered":"
\n\n
\n\n
\n\n
\n\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n\n
\n\n
\n

Sunday, March 16th, 2025, 11:00\nEngelhorn Schmuck Lecture\nCaroline Broadhead<\/h1>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n\n
\n\n
\n
\n\t
\n\t\n\n\t\n\t\t<\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
Portrait photo Caroline Broadhead<\/div>\n\t\t\t\t\t\t\t\t\t\t
\u00a9 Maisie Broadhead\n <\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n<\/div>\n\n\n
\n
\n\t
\n\t\t
\n\t\t\t
\n\t\t\t\t

Events:<\/h2>\n\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Sunday, 03\/16\/2025, 11:00
<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n<\/div>\n\n\n\n\n

\n\n
\n\n
<\/div><\/div>\n<\/div>\n<\/div>\n\n\n
<\/div>\n<\/div>\n<\/section>\n\n
\n\n
\n\n
\n\n
\t

4. Engelhorn Jewelry Lecture<\/strong>
Lecture in English
Free entrance
Pinakothek der Moderne,
Ernst von Siemens-Auditorium

\u201eFor more than fifty years, I have been concerned with objects that come into contact with and interact with the body.\u00a0 Recurrent themes are the boundaries of an individual or object; be that between surface and interior, presence and absence, public and private, or the definition of a sense of territory and personal space. The work has also explored outer extents of the body as seen through light, shadows, reflections and movement. Larger scale and collaborative working with ideas about space and boundaries between people develop atmospheres that elicit subjective, emotional responses.\u201d Caroline Broadhead<\/p>\n<\/div>\n<\/div>\n\n\n\n\n

\n\n
\n\n\t
\n\t\t\n\t\t\t\n
\t

Caroline Broadhead trained at the Central School of Art and Design, London. Public collections that hold examples of her work include the Stedelijk Museum, Amsterdam; the Museum of Modern Art, Kyoto; and the Victoria and Albert Museum, London. She was the winner of the Jerwood Prize for Applied Arts: Textiles in 1997, and has held major retrospectives at CODA, The Netherlands in 2018, and at the Lethaby Gallery, London in 2019. Broadhead held the positions of Jewellery and Textiles Programme Director and BA Jewellery Design Course Leader for nearly ten years at the College until her retirement in 2018. She continues to teach on the course and is a guest lecturer at various institutions in and outside the UK.

Supported by the Museum Foundation for the Promotion of the State Bavarian Museums – Legacy of Christof and Ursula Engelhorn<\/strong>
<\/p>\n<\/div>\n\t\t<\/content-reveal>\n\n\t\t

\n\t\t\t
\n\t\t\t\t