{"id":8390,"date":"2024-03-06T12:27:20","date_gmt":"2024-03-06T11:27:20","guid":{"rendered":"https:\/\/www.die-neue-sammlung.de\/?post_type=article&p=8390"},"modified":"2024-03-20T17:35:08","modified_gmt":"2024-03-20T16:35:08","slug":"lecture-helen-williams-drutt","status":"publish","type":"article","link":"https:\/\/staging.die-neue-sammlung.de\/en\/artikel\/lecture-helen-williams-drutt\/","title":{"rendered":"Su san Cohn: Earrings are for listening"},"content":{"rendered":"
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\nMarch 03, 2024<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
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Su san Cohn: Earrings are for listening<\/h1>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
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3. Engelhorn Jewelry Lecture\nPinakothek der Moderne. Ernst von Siemens-Auditorium\u2028<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n
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Su san Cohn is an artist with multiple personalities working across the art-craft-design divide using a variety of media from jewellery to multiple production, installation, photography, video, and performance. Living in Melbourne, Australia, she has been making work for over 39 years, exhibiting extensively in Australia and overseas. She trained in gold and silversmithing at RMIT University (Melbourne), holds a Doctor of Philosophy in Fine Art Theory and is director of Workshop 3000, \u2028a Melbourne access metal workshop. Cohn is represented by Anna Schwartz Gallery, with her most recent solo exhibition Pieces of Peace, June 2023.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n

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Cohn\u2019s broad understanding of design and making has also enabled her to work as a designer for Alessi, the Italian tableware company, as the curator of the international exhibition Unexpected Pleasures \u2013 the Art and Design of Contemporary Jewellery, commissioned by the Design Museum, London, and as editor\/writer for the accompanying book published by Rizzoli International Publications, \u2028New York. \u2028In 2017 Cohn was awarded the Australia Council Artist award.
“I explore the role of jewellery in our social, political and cultural contexts, focusing on how jewellery talks for people and how it relates to the body. My interests lie in how our possessions become invested with multiple values and symbolic meanings. My research-based and collaborative process includes working with different skilled artists, filmmakers, scientists, and industrialists to channel new ways of working and technologies into my designs.”\u2028\u2028

Cohn Bios:\u2028
Su san Cohn\u2028
41 odd years addicted to JEWELLERY\u2028
39 years director WORKSHOP 3000, Melbourne\u2028
Exhibition, production, commission work\u2028jewellery, tableware, installation, performance\u2028curating, writing, collaborating\u2028. Dubious character who likes dubious techniques\u2028always working, always experimenting\u2028Plays with boundaries, never gives up\u2028too much experience, many mistakes, some heartbreaks\u2028a few surprises, some successes\u2028endless fun.

Supported by the Museumsstiftung zur F\u00f6rderung der Staatlichen Bayerischen Museen (Museum Foundation for the Promotion of Bavarian State Museums) \u2013 Bequest Christof and Ursula Engelhorn<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"

3. Engelhorn Jewelry Lecture
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