{"id":21989,"date":"2024-06-28T12:02:26","date_gmt":"2024-06-28T10:02:26","guid":{"rendered":"https:\/\/www.die-neue-sammlung.de\/?post_type=article&#038;p=21989"},"modified":"2024-06-28T12:02:26","modified_gmt":"2024-06-28T10:02:26","slug":"focus-ikko-tanakafaces-posters","status":"publish","type":"article","link":"https:\/\/staging.die-neue-sammlung.de\/en\/artikel\/focus-ikko-tanakafaces-posters\/","title":{"rendered":"Focus. \nIkko Tanaka:\nFaces. Posters"},"content":{"rendered":"<section class='wp-block-ho-pattern ' data-pattern='ho\/header-artikel'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6'>\n\n<div  class='margin-bottom-4'><div class=\"wp-block-ho-slot \">\n<span class=\"body-small\">May 28, 2018<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6'>\n\n<div  class='margin-bottom-4'>\n<h1>Focus. \nIkko Tanaka:\nFaces. Posters<\/h1>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-12'>\n\n<div  class='margin-bottom-4'>\n\n<div  class='flex-align-center-left'>\n\n<div  class='flex-align-center-left'><div class=\"wp-block-ho-slot \">\n\t<div class=\"wp-block-ho-div flex-align-center-left\" style=\"margin-right: 50px;\">\n\t\t<div class=\"copy copy-size-medium\">\n\t\t\t<p class=\"body-bold\">Author:<\/p>\n\t\t<\/div>\n\t\t<p class=\"body\" style=\"margin-left: 5px;\">Die Neue Sammlung<\/p>\n\t<\/div>\n\n\t<\/div>\n<\/div>\n\n\n\n\n<div  class='flex-align-center-left'><span class=body-small-bold>5<\/span>\n\n\n<div class=\"wp-block-ho-slot \"><div class=\"wp-block-ho-div flex-align-center-left\">\n\t<p class=\"body-small-bold\">min<\/p>\n\t<p class=\"body-small\" style=\"margin-left: 5px;\">Reading Time<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-12'>\n\n<div  class='margin-bottom-4'><div class=\"wp-block-ho-slot \">\n<div class=\"accessibility-menu\">\n\t<div class=\"wp-block-ho-buttons\">\n\t\t\n\t\t\n\n\t\t\t<\/div>\n<\/div>\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 margin-bottom-4'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_F67i07\">\n<div class=\"height-container \" style=\"padding-bottom:34.63%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\n\t\n\t\t<lazy-media-inline\n\t\t:sizes=\"{&quot;medium&quot;:{&quot;file&quot;:&quot;Bildschirmfoto-2024-06-24-um-14.50.26-300x126.png&quot;,&quot;width&quot;:300,&quot;height&quot;:126,&quot;mime-type&quot;:&quot;image\\\/png&quot;,&quot;filesize&quot;:51229},&quot;large&quot;:{&quot;file&quot;:&quot;Bildschirmfoto-2024-06-24-um-14.50.26-1024x431.png&quot;,&quot;width&quot;:1024,&quot;height&quot;:431,&quot;mime-type&quot;:&quot;image\\\/png&quot;,&quot;filesize&quot;:456050},&quot;medium_large&quot;:{&quot;file&quot;:&quot;Bildschirmfoto-2024-06-24-um-14.50.26-768x323.png&quot;,&quot;width&quot;:768,&quot;height&quot;:323,&quot;mime-type&quot;:&quot;image\\\/png&quot;,&quot;filesize&quot;:273344},&quot;small&quot;:{&quot;file&quot;:&quot;Bildschirmfoto-2024-06-24-um-14.50.26-440x185.png&quot;,&quot;width&quot;:440,&quot;height&quot;:185,&quot;mime-type&quot;:&quot;image\\\/png&quot;,&quot;filesize&quot;:100719},&quot;semi&quot;:{&quot;file&quot;:&quot;Bildschirmfoto-2024-06-24-um-14.50.26-580x244.png&quot;,&quot;width&quot;:580,&quot;height&quot;:244,&quot;mime-type&quot;:&quot;image\\\/png&quot;,&quot;filesize&quot;:164608},&quot;mobile&quot;:{&quot;file&quot;:&quot;Bildschirmfoto-2024-06-24-um-14.50.26-720x303.png&quot;,&quot;width&quot;:720,&quot;height&quot;:303,&quot;mime-type&quot;:&quot;image\\\/png&quot;,&quot;filesize&quot;:242575},&quot;original&quot;:{&quot;file&quot;:&quot;Bildschirmfoto-2024-06-24-um-14.50.26.png&quot;,&quot;width&quot;:1067,&quot;height&quot;:449}}\"\n\t\t:alt=\"&quot;Opposite pillars at the entrance to the exhibition: Left: Wall labelled in German Ikko Tanaka Faces Gesichter Right: View into the corridor with posters and onto the wall labelled in Japanese: Ikko Tanaka: Gesichter. Posters.&quot;\"\n\t\t:path=\"&quot;\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/&quot;\"\n\t\t:video=\"&quot;&quot;\"\n\t\t:autoplay=\"null\"\n\t\t:youtube=\"&quot;&quot;\"\n\t\t:youtubelabel=\"&quot;play&quot;\"\n\t\t:brightness=\"1\"\n\t\t:crop=\"{&quot;x&quot;:0.75,&quot;y&quot;:0.06}\"\n\t\t:background=\"true\"\n\t\t:scale=\"1\"\n\t\t:zoom=\"false\"\n\t\t:annotations=\"null\"><\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t<figcaption class=\"\" id=\"media_F67i07\">\n\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">View of the opening walls of the exhibition, Ikko Tanaka: Faces. Posters, 2018.<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Graphic: Mirko Borsche (left) \/ Tetsuya Ohta (right).\nPhoto: Die Neue Sammlung (A. Laurenzo) <\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-8'>\n\n<div  class='margin-bottom-4'><div class=body-large-bold>Mirko Borsche and Tetsuya Ohta.\nAn East-West dialog<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/uberschrift-mit-text-und-aufklappbarem-text'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row padding-bottom-4'>\n\n<div  class='col col-xs-12 col-md-8'>\n<h2 class='h2' style=\"white-space: normal;\">Mirko Borsche.<br \/>\nDot, point, comma, stroke<\/h2>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row padding-bottom-4'>\n\n<div  class='col col-xs-12 col-md-8'>\t<p class='body'>Everyone is familiar with Smileys \u2013 they are the most frequently used and most popular of the emoticons, also known as emojis. To symbolize an Emoticon normal characters on a keyboard are combined with one another: Points, commas, strokes\u2026 <br>In e-mail communications or in text messages and other digital short messages, together they form faces and serve to express emotions, moods and feelings \u2013 or at least intimate these. This can range from a smile with a wink, loud laughter, or sticking out your tongue gloatingly \u2013 and can even include crying, anger, fear, disgust, coolness etc.<br>For the presentation &#8220;<a href=\"https:\/\/www.die-neue-sammlung.de\/en\/ausstellung\/ikko-tanaka-faces\/\" data-type=\"exhibition\" data-id=\"4461\">Ikko Tanaka: Faces. Posters<\/a>&#8220;, Munich-based graphic designer Mirko Borsche created the German-English exhibition title attached to the pillar in the rotunda at the entrance to the exhibition.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-8'>\n<reveal inline-template :margin=\"-130\" :mobile-margin=\"-110\"   :scroll-top-after-close=\"false\" :scroll-to-reveal-position-after-close=\"false\">\n\t<div class=\"content-reveal-wrapper\" :class=\"{'content-reveal-open': active }\" >\n\t\t<content-reveal :open=\"active\">\n\t\t\t\n<div class='content-reveal-content'>\t<p class='body'>The large letter \u201cC\u201d in the words &#8220;Faces&#8221; and &#8220;Gesichter&#8221; is in both instances replaced by a smiling face in the form of a minimalist emoticon that consists of only a bracket and a colon. Namely in order to represent the letter \u201cC\u201d, in this instance an inverted one, meaning an<br>( :   instead of an   : )<br>Incidentally, in Japan or Korea emoticons are not depicted horizontally, but presented vertically.<br>^!^      *_*<\/p>\n<\/div>\n\t\t<\/content-reveal>\n\n\t\t<div class=\"content-reveal-controls\" @click=\"toggle\">\n\t\t\t<div class=\"reveal-controls-open\">\n\t\t\t\t<button type=\"button\" class=\"ho-button is-primary icon-with-text-outside-left\">\n\t<span class=\"ho-button-icon icon-read-more\" aria-hidden=\"true\"><\/span>\n\t<span class=\"ho-button-label\">Read More<\/span>\n<\/button>\t\t\t<\/div>\n\t\t\t<div class=\"reveal-controls-close\">\n\t\t\t\t<button type=\"button\" class=\"ho-button is-primary icon-with-text-outside-left\">\n\t<span class=\"ho-button-icon icon-read-less\" aria-hidden=\"true\"><\/span>\n\t<span class=\"ho-button-label\">Read Less<\/span>\n<\/button>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/reveal>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/bild-links'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-8 col-md-6'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_8eafJQ\">\n<div class=\"height-container \" style=\"padding-bottom:77.103842489679%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\n\t\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/02\/20180303_dns_tanaka-gesichter_al-1920x1480.jpg\" srcset=\"https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/02\/20180303_dns_tanaka-gesichter_al-1920x1480.jpg 1920w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/02\/20180303_dns_tanaka-gesichter_al-300x231.jpg 300w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/02\/20180303_dns_tanaka-gesichter_al-1024x790.jpg 1024w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/02\/20180303_dns_tanaka-gesichter_al-768x592.jpg 768w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/02\/20180303_dns_tanaka-gesichter_al-1536x1184.jpg 1536w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/02\/20180303_dns_tanaka-gesichter_al-2048x1579.jpg 2048w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/02\/20180303_dns_tanaka-gesichter_al-440x339.jpg 440w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/02\/20180303_dns_tanaka-gesichter_al-580x447.jpg 580w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/02\/20180303_dns_tanaka-gesichter_al-720x555.jpg 720w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/02\/20180303_dns_tanaka-gesichter_al-1280x987.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (qmin-width: 764px) and (max-width: 1023px) 100vw, (min-width: 1024px) 100vw\" alt=\"Wall with the announcement of the exhibition, Ikko Tanaka, Faces, Gesichter\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t<figcaption class=\"\" id=\"media_8eafJQ\">\n\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">Wall with the announcement of the exhibition, Ikko Tanaka: Faces. Posters, 2018.<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Photo: Die Neue Sammlung (A. Laurenzo) <\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/einfacher-text'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-8'>\t<p class='body'>There is a correspondence to Mirko Borsche\u2019s design idea on the other side of the pillar in the form of the Japanese title, created by Japanese graphic designer Tetsuya Ohta in Tokyo.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/uberschrift-mit-text-und-aufklappbarem-text'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row padding-bottom-4'>\n\n<div  class='col col-xs-12 col-md-8'>\n<h2 class='h2' style=\"white-space: normal;\">Tetsuya Ohta.<br \/>\nFace. Font. Printing type<\/h2>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row padding-bottom-4'>\n\n<div  class='col col-xs-12 col-md-8'>\t<p class='body'>The word &#8220;Face&#8221; with its innumerable meanings also refers in printing to the type as in typeface and thus here references printing per se and in particular the fonts.<br><br>A large, Japanese typeface greets visitors to Pinakothek der Moderne until mid-July 2018\u2026 <\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-8'>\n<reveal inline-template :margin=\"-130\" :mobile-margin=\"-110\"   :scroll-top-after-close=\"false\" :scroll-to-reveal-position-after-close=\"false\">\n\t<div class=\"content-reveal-wrapper\" :class=\"{'content-reveal-open': active }\" >\n\t\t<content-reveal :open=\"active\">\n\t\t\t\n<div class='content-reveal-content'>\t<p class='body'>&#8230;and illegibly for most sets \u2013 a strong graphic message that evidently has something to do with the wall behind it, on which two rows of posters are to be seen, in bright colors and likewise in a largely incomprehensible script.<br>For the exhibition &#8220;<a href=\"https:\/\/www.die-neue-sammlung.de\/en\/ausstellung\/ikko-tanaka-faces\/\" data-type=\"exhibition\" data-id=\"4461\">Ikko Tanaka: Faces. Posters<\/a>&#8220;, a presentation from the museum collection at Neue Sammlung, Japanese graphic designer Tetsuya Ohta has created the \u201cheadliner\u201d, the typographical theme for the entrance displayed on the pillar in the rotunda.<br>For this purpose, Ohta used Ikko Tanaka\u2019s hand-written signature blown-up to cover the whole wall, written in black from top to bottom, and from right to left: \u201cTanaka Ikko\u201d. Beneath it in red, and shaped like a seal on a graphic sheet, stands the character for \u201cface\u201d. Unlike the expressive signature, this character is a typeface. As is customary in Japanese, the person\u2019s name and the term are both reproduced by Chinese Kanji characters.<br><br>As of 1963 Tetsuya Ohta was the first assistant and staff member of Ikko Tanaka working in the latter\u2019s graphic studio in Tokyo, which opened in 1963; in 1975 Ohta opened his own studio. The design of the typography on the pillar and the graphics for the exhibition poster and flyer can all be read as his homage to Ikko Tanaka.<\/p>\n<\/div>\n\t\t<\/content-reveal>\n\n\t\t<div class=\"content-reveal-controls\" @click=\"toggle\">\n\t\t\t<div class=\"reveal-controls-open\">\n\t\t\t\t<button type=\"button\" class=\"ho-button is-primary icon-with-text-outside-left\">\n\t<span class=\"ho-button-icon icon-read-more\" aria-hidden=\"true\"><\/span>\n\t<span class=\"ho-button-label\">Read More<\/span>\n<\/button>\t\t\t<\/div>\n\t\t\t<div class=\"reveal-controls-close\">\n\t\t\t\t<button type=\"button\" class=\"ho-button is-primary icon-with-text-outside-left\">\n\t<span class=\"ho-button-icon icon-read-less\" aria-hidden=\"true\"><\/span>\n\t<span class=\"ho-button-label\">Read Less<\/span>\n<\/button>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/reveal>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/bild-rechts'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-8 col-md-6 col-md-offset-6 col-xs-offset-4'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_ZA9HHd\">\n<div class=\"height-container \" style=\"padding-bottom:79.872204472843%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\n\t\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6516-1920x1534.jpg\" srcset=\"https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6516-1920x1534.jpg 1920w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6516-300x240.jpg 300w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6516-1024x818.jpg 1024w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6516-768x613.jpg 768w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6516-1536x1227.jpg 1536w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6516-2048x1636.jpg 2048w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6516-440x351.jpg 440w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6516-580x463.jpg 580w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6516-720x575.jpg 720w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6516-1280x1022.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (qmin-width: 764px) and (max-width: 1023px) 100vw, (min-width: 1024px) 100vw\" alt=\"View of the corridor with posters and the wall with Japanese lettering: Ikko Tanaka: Faces. Posters.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t<figcaption class=\"\" id=\"media_ZA9HHd\">\n\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">View of the exhibition, Ikko Tanaka: Faces. Posters, 2018.<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Graphic: Tetsuya Ohta, Tokio\nPhoto: Die Neue Sammlung (A. Laurenzo) <\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/uberschrift-mit-text-und-aufklappbarem-text'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row padding-bottom-4'>\n\n<div  class='col col-xs-12 col-md-8'>\n<h2 class='h2' style=\"white-space: normal;\">Exhibition poster as an homage by the former \u201cpupil\u201d for his master<\/h2>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row padding-bottom-4'>\n\n<div  class='col col-xs-12 col-md-8'>\t<p class='body'>For the exhibition, at the request of Neue Sammlung Tetsuya Ohta designed the title theme for the exhibition poster and the flyer.<br>Ohta made use of an Ikko Tanaka self-portrait for the poster and the flyer with an identical cover. Tanaka probably drew the highly abstract graphic with the suggestive gaze around 1960.<br>While Ohta placed the English exhibition title and dates beneath the face in the horizontal strip defining the lower edge of the poster, to the left of the face like a small banner hangs the abbreviated Japanese title in Kanji characters: &#8220;Tanaka Ikko \u2013 Face&#8221;.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-8'>\n<reveal inline-template :margin=\"-130\" :mobile-margin=\"-110\"   :scroll-top-after-close=\"false\" :scroll-to-reveal-position-after-close=\"false\">\n\t<div class=\"content-reveal-wrapper\" :class=\"{'content-reveal-open': active }\" >\n\t\t<content-reveal :open=\"active\">\n\t\t\t\n<div class='content-reveal-content'>\t<p class='body'>Born in Nobeoka in 1941, Tetsuya Ohta graduated from the Kuwazawa Institute of Design in 1976. After working in the Ikko Tanaka Design Studio, established Tetsuya Ohta Design Studio in Tokyo in 1975. Exhibitions: \u201cCI of Japanese Companies\u201d, 1985 at Matsuya Department Store; \u201cDiagram\u201d at Ginza Graphic Gallery, 1991. Awards he has received include: Ministry of International Trade and Industry Award of the National Cover Design Concours in 1991, ADC Award and Hiromu Hara Award in 1992 among others. He is a member of JAGDA, JTA, International Typography A. Type 1.<\/p>\n<\/div>\n\t\t<\/content-reveal>\n\n\t\t<div class=\"content-reveal-controls\" @click=\"toggle\">\n\t\t\t<div class=\"reveal-controls-open\">\n\t\t\t\t<button type=\"button\" class=\"ho-button is-primary icon-with-text-outside-left\">\n\t<span class=\"ho-button-icon icon-read-more\" aria-hidden=\"true\"><\/span>\n\t<span class=\"ho-button-label\">Read More<\/span>\n<\/button>\t\t\t<\/div>\n\t\t\t<div class=\"reveal-controls-close\">\n\t\t\t\t<button type=\"button\" class=\"ho-button is-primary icon-with-text-outside-left\">\n\t<span class=\"ho-button-icon icon-read-less\" aria-hidden=\"true\"><\/span>\n\t<span class=\"ho-button-label\">Read Less<\/span>\n<\/button>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/reveal>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/zwei-bilder'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row pattern-two-images-align-bottom'>\n\n<div  class='col col-xs-6'>\n\n<div  class='flex-align-bottom-center sizes-height-fill'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_xXlDB7\">\n<div class=\"height-container \" style=\"padding-bottom:141.40625%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\n\t\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/04\/2018_plakat_ikko_tanaka-1358x1920.jpg\" srcset=\"https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/04\/2018_plakat_ikko_tanaka-1358x1920.jpg 1358w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/04\/2018_plakat_ikko_tanaka-212x300.jpg 212w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/04\/2018_plakat_ikko_tanaka-724x1024.jpg 724w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/04\/2018_plakat_ikko_tanaka-768x1086.jpg 768w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/04\/2018_plakat_ikko_tanaka-1086x1536.jpg 1086w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/04\/2018_plakat_ikko_tanaka-1448x2048.jpg 1448w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/04\/2018_plakat_ikko_tanaka-311x440.jpg 311w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/04\/2018_plakat_ikko_tanaka-410x580.jpg 410w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/04\/2018_plakat_ikko_tanaka-509x720.jpg 509w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/04\/2018_plakat_ikko_tanaka-905x1280.jpg 905w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/04\/2018_plakat_ikko_tanaka.jpg 1920w\" sizes=\"(max-width: 763px) 100vw, (qmin-width: 764px) and (max-width: 1023px) 100vw, (min-width: 1024px) 100vw\" alt=\"Red logo of the new collection at the top. Illustration of Ikko Tanaka&#039;s face in green below.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t<figcaption class=\"\" id=\"media_xXlDB7\">\n\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">Exhibition poster and flyer, Ikko Tanaka: Faces. Posters.<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Illustration and exhibition title: Tetsuya Ohta, Tokyo. CI: Mirko Borsche, Bureau Borsche, Munich <\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-6'>\n\n<div  class='flex-align-bottom-center sizes-height-fill'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_pniL5U\">\n<div class=\"height-container \" style=\"padding-bottom:69.166666666667%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\n\t\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/tanaka_portrait_sw-e1709824867335.jpg\" srcset=\"\" sizes=\"(max-width: 763px) 50vw, (min-width: 764px) and (max-width: 1023px) 50vw, (min-width: 1024px) 50vw\" alt=\"Photography of Ikko Tanaka in his studio, probably around 1970\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t<figcaption class=\"\" id=\"media_pniL5U\">\n\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">Ikko Tanaka in his studio, probably around 1970, of the exhibition, Ikko Tanaka: Faces. Posters, 2018.<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Photo: unknown <\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/einfacher-text'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-8'>\t<p class='body'>The design and realization of the Japanese wall title was made possible with the kind support of <br><strong>DNP Foundation for Cultural Promotion, Tokyo<\/strong>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/teaser-newsletter-text-rechts-und-bild-links'>\n\n<div  class='margin-bottom-7'><div class=\"structure-content-color\" style=\"--content-color-foreground: #000000;--content-color-background: #EE1133;color: #000000;background: #EE1133;\">\n<div class='structure-content-color-content'>\n\n<div  class='padding-top-5 padding-bottom-5'>\n\n<div  class='container-fluid'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-7'>\n\n<div  class='margin-bottom-5'>\n<h2  style=\"white-space: normal;\">Exhibition<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-md-5 col-md-offset-0 col-xs-7 col-xs-offset-5 mobile-margin-bottom-5'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_PxjXCk\">\n<div class=\"height-container \" style=\"padding-bottom:66.666666666667%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\n\t\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6528-1920x1280.jpg\" srcset=\"https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6528-1920x1280.jpg 1920w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6528-300x200.jpg 300w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6528-1024x683.jpg 1024w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6528-768x512.jpg 768w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6528-1536x1024.jpg 1536w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6528-2048x1365.jpg 2048w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6528-440x293.jpg 440w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6528-580x387.jpg 580w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6528-720x480.jpg 720w, https:\/\/staging.die-neue-sammlung.de\/wp-content\/uploads\/2024\/03\/MG_6528-1280x853.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 58.333333333333vw, (min-width: 1024px) 58.333333333333vw\" alt=\"View of the corridor with posters of the presentation: Ikko Tanaka: Faces. Posters.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t<figcaption class=\"\" id=\"media_PxjXCk\">\n\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">View of the exhibition, Ikko Tanaka: Faces. Posters, 2018.<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Photo: Die Neue Sammlung (A. Laurenzo) <\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n\n\n\n\n<div  class='col col-xs-12 col-md-6 col-md-offset-1'>\n\n<div  class='sizes-height-fill flex-align-center-left'>\n\n<div class=\"wp-block-ho-div\">\n\n<div  class='margin-bottom-4'>\n<h3  style=\"white-space: normal;\">Ikko Tanaka: Faces. Posters<\/h3>\n<\/div>\n\n\n\n\n<div  class='margin-bottom-4'>\t<p class='teaser-copy'>The exhibition is dedicated to the theme of the face in the poster oeuvre of Tanaka, who always saw himself as a mediator between Japanese culture and the west:<\/p>\n<\/div>\n\n\n\n\n<div  class='margin-bottom-4'>\n\n<div class='wp-block-ho-buttons '>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.die-neue-sammlung.de\/en\/ausstellung\/ikko-tanaka-faces\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-tertiary has-outgoing-link-icon-left\">\n\t\t\t\t<span class=\"ho-button-label \">Go to exhibition<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Mirko Borsche and Tetsuya Ohta.<br \/>\nAn East-West dialog<\/p>\n","protected":false},"author":13,"featured_media":21985,"template":"","meta":{"_acf_changed":false,"ho_image_focal_point":"","footnotes":""},"ho_category":[29],"ho_author":[55],"class_list":["post-21989","article","type-article","status-publish","has-post-thumbnail","hentry","ho_category-design-en","ho_author-die-neue-sammlung-en"],"acf":{"audio":"","datum":"20180528","video":"","poster":"","noindex":false,"keywords":"","seo_titel":""},"_links":{"self":[{"href":"https:\/\/staging.die-neue-sammlung.de\/en\/wp-json\/wp\/v2\/article\/21989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.die-neue-sammlung.de\/en\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/staging.die-neue-sammlung.de\/en\/wp-json\/wp\/v2\/types\/article"}],"author":[{"embeddable":true,"href":"https:\/\/staging.die-neue-sammlung.de\/en\/wp-json\/wp\/v2\/users\/13"}],"version-history":[{"count":6,"href":"https:\/\/staging.die-neue-sammlung.de\/en\/wp-json\/wp\/v2\/article\/21989\/revisions"}],"predecessor-version":[{"id":22632,"href":"https:\/\/staging.die-neue-sammlung.de\/en\/wp-json\/wp\/v2\/article\/21989\/revisions\/22632"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.die-neue-sammlung.de\/en\/wp-json\/wp\/v2\/media\/21985"}],"wp:attachment":[{"href":"https:\/\/staging.die-neue-sammlung.de\/en\/wp-json\/wp\/v2\/media?parent=21989"}],"wp:term":[{"taxonomy":"ho_category","embeddable":true,"href":"https:\/\/staging.die-neue-sammlung.de\/en\/wp-json\/wp\/v2\/ho_category?post=21989"},{"taxonomy":"ho_author","embeddable":true,"href":"https:\/\/staging.die-neue-sammlung.de\/en\/wp-json\/wp\/v2\/ho_author?post=21989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}